sweet
smooth :
mellow
sAxophone rIses
above to float along
an early autumn breeze :
finds me
.takes me
- clear -
across the park.
Something sings along below :
twanging just outside my reach.
A sound that envelopes me :
plucks my strings :
begins a pounding in my chest.
PoP!
I HOP up :
absentminded.two.fingerhold
on The Great Gatsby.
I have no say.
my feet.they lead the way -
i am not i am
my Self's someone else's
.tantalized.taken.
KORA KORNER
i'd like to converse with you
but i'm just...stupid
A corner where
I've never stood
- first impressions -
a musical triptych
eye is immediately
drawn
to the central figure
beautiful ebony man
with a mass of dreaded hair
accented at points
with metal beads
playing an instrument
I've never seen
the base.a rOUnd.gourd.
.broken.there's a hole
metal crowns jingle.jangle
atop the long thin neck.
'round which is strung
two rows of many strings
playing them all
with beautiful fluency.confidence
long.strong fingers
certain.sure
.eye lingers.
.those must be
magical fingers.
- ONE DAY -
I sit near them
kora.drum&bass
off to the side.
I scrunch in small
- inconspicuous -
I try to hide
but not for long.
I can't contain my glee.
I beam&bask
shamelessly.wiggle
into his sacred song.
my SOUL escapes
my every pore.
HE feels me
turns&
- SEES -
smiles&
approaches
wagging head.
shaking dreads
plays directly at me.
I look down the barrel
of the gourd.
in the same thought :
.how phallic.
.not broken.
( the hole )
is
Africa.
O
.now i see.
Open
- me -
uP
w i d e
his music
pours insIde.
I have to cross legs.
clasp palms
to keep from bursting uP.
but wiggle.wiggle anyway
into each space he makes.
this man approaches.
latin dancing -
left hand to heart
right out.extended
he swings
hispanic.hips
two.steps
sure.footed feet.
Thank you.Thank you
to the street musicians
as he drops his dollar in
with flair.flourish.he is
Fred Astaire.
I want to leave him
more than just a dolla
zip!I open pack.extract
my PostIt pad and pen
look up at him.
consider :
- thank you -
for your song.
next time
i will be brave
enough
to dAnce -
Fedora hatted.
button downed
black.tie
sAx.man croons
the sultry melody
beside his wife&child
- a perfect babe -
.perched high.wide eyed.
on mother's knee.
Mother taps foot
.in time.
bouncing baby gently.
Babe rides leg
.full straddle.
.in awe.
.the wORld around.
On kora player's other side
sits bespectacled man
gawky.thin.blonde
works.hard to keep
the beat of the rhythm
of the street
on a red.green.yellow
drum
badabum.badabum.
.Digga.Digga.
dum.
dum
- ANOTHER DAY -
I hoped
I'd find you here.
HE smiles up
scoots over
- Sit -
pulls kora bag in.close
gestures to his side
.near.
I keep
your note
with me.
.to protect me -
one hand to heart.
he reaches uP
the other.
.uh.
I blush.
(flustered)
by the power
of attraction.
.no.no.
i only love
your song.
but my lips won't
make those shapes
& I stumble through
lame hey.theres.
.ahem.
I try to gain
control -
So do you
just play
in the park?
Have you
ever played
along the (L)?
No -
I play
(gestures)
here.
Where is
the (L) train?
Brooklyn.
I saw a video
on Youtube
of a kora&a cello.
Would you ever
be interested
in playing
with a cello?
.i know a guy.
Yea sure.
I don't know
anything
about Brooklyn.
You should
show me around
sometime.
.wait.no.
(tuck head into chest)
So where
are you from?
(deflecting.
detecting accent)
(puffing chest.proud)
West Africa -
but I grew up
in France.
I try to come here
once a year.
I'll be here for
another month.
He looks at me.appraising.
lips widen to a grin.
You're so
sexy.
(blush.deeper)
You're so
beautiful.
How about
you show me
around Brooklyn
tonight?
(speechless)
Embarrassed.
I can't transcend
the sex.language
barrier.
(to my right)
the broad.happy.faced
RETIREE in NYU attire
wide.toothy.grin
bike leaning at his side
taps his foot along
to the beat
of the song
boogie.
woogie
.oogie
s l i d e
he's lost control
of feet
they move alone
out of pure.need.
he shuffle.steps
suddenly breaks out
in song.
harmonizing joyously.
- LATER -
What do you think
I should do?
Should I
hang out
with him?
Be smart.
You know what
this is.
You know
what
you have to do.
I hang up cellphone
- exhale -
.okay.
Slide phone out
tap tips to board
- click.clack -
.click.clack.
i'm so sorry
i can't tonight
but i'll definitely come
to your show
.but actually.
- NO -
Baby,
come back -
says mother.soft. to
chubby.cherubim who
waddles into the circle
hands wide.fingers reaching
for the sound.
the sAx is grooving
soft&low
HE rests kora back
into open lap
smiles down at babe
stretches arms out
open.greeting palms.
MOTHER makes
- instinct -
protective
move
which proves unnecessary.
uninterested, cherub
just changes path
angles toward the drum
badabum.badabum.
badabum.
bum.
BUM
- pivots -
to the bike
.ding.ding.
RETIREE rings bell
.o well. his eyes alight
approaches.
RETIREE shuffle.steps.
flourish.back step.
shuffle left
dip bike right
his handy
Ginger Rogers.
- loosen up -
toes start tapping
.hokey.pokey.
- put them in -
cherub moves
to slip through cracks
at last MOTHER
(enter)
scoops up
her little one.
RETIREE
He's really
sweet -
but
I bet he's a
handful.
MOTHER
You have
no idea -
with adoration
in her eyes.
- A FEW DAYS LATER -
.bzz.
.bzz.
.bzz.
The phone vibrates
.beneath my head.
ignites:bedside.manner.
.now who?
I look to see
(swallow)
it's HE.
I feel a guilty rush.
.i'm sorry.
as I watch the call
.bzz.
.bzz.
away.
I make eye contact
with the other members
of this congregation.
.isn't this exciting?
.we're all here
to see it.
to be it.
.share in this
blessed
ENERGY.
sAx.man grooves above it all
for several solo.measures.
as the kora.player
talks the novice drummer
through a syncopated rhythm.
the drummer nods along
nervous.anxious
to keep up.
he's got.to be
- BRAVE -
if he's gonna
drive this
beat.
HE shows him
endless patience
speaks.deep.soft&
.calm.
RETIREE
Can you
believe
he just bought
that drum
today?
- ONE WEEK LATER -
.bzz.
.bzz.
.bzz.
The phone lights up.
urgent.charged vibrations
It's him.
Still don't know
what I'd say.
The safest way
to handle this -
turn head.
just look away.
HE sings over
their song.
words I cannot
distinguish/untangle
from the plucking
of the strings&
the beating of
the drum.
sounds soul.melody
above instrumentation.
his voice adds
a new
dimension.
I wiggle to adjust
.tap my foot.
release
- a phrase of praise -
O man.
HE hears
looks up at me&smiles
.purple.spotted bottom lip.
deep.deep.black eyes.
a glint.mischief.
a gleam.
I dream :
.what's in
his heart of darkness?
- TWO WEEKS LATER -
.bzz.
.bzz.
.bzz.
The scramble through
packed.pocket
- shit -
picks up
my cellphone.
Fumble.slip.click
(end) button.
.phew.
HE's on
the other end
- alone -
.i'm sorry.
.i'm sorry.
.i'm sorry.
What was
that?
.embarrassed.
I explain the situation.
Shit.
What do you
have?
.what?
After the first
call,
I would
have given up.
.blushing.burning.
(small)
I don't know.
.song.savored
ripples.
Djembe player has to leave -
packs up to go away.
sAx.man & kora.player
exchange digits
intent to play again.
the crowd
(shuffling feet.
reluctant to go)
disperses.
the guy beside
leans down toward me -
hey, we're going
for a walk.
want to join?
.no i don't.i'm sorry.
I shake my head demurely.
I've only eyes for him
- his song that pierced my soul -
deep&rich desire
to know
what lights his fire
wander over.introduce self
he holds my hand
in one of his.
presses other to
his heart :
- Hello -